As successful as Rob Thomas is, both on his own accord and as the lead singer of Matchbox Twenty, he still isn’t too cool for a “geek out” moment when interacting with fellow musicians. Take the recent Rock and Roll Hall of Fame Induction Ceremony for example, which Thomas performed at.
“The day after the awards, Jann Wenner, the founder of Rolling Stone, called me and told me that he was hanging at a party the night before and Bruce Springsteen was talking about my performance and how much he liked it,” recalled Thomas. “And I wet myself.”
Given his genuine excitement level, you might think the Matchbox Twenty front man was only half-kidding. But all kidding aside, Thomas stays true to his art by embracing his inner-fan.
“I think if you stop being a fan of music, you should get out of the business,” he bluntly stated. “If you think you’re above it, then you don’t get it.”
Part 1: Ralphie's 2nd Concert Ever, Rock and Roll Hall of Fame, Radio Promo
Part 2: Mad Season, Someday EP, New Matchbox Twenty LP
Thomas doesn’t feel above it, and totally gets it – his actions speak for themselves. I caught up with the Grammy winner amidst a radio promo tour of mid-major markets. Yes, even after selling more than 80 million albums between Matchbox, solo works, and collaborations with the likes of Santana and Jagger – the singer/songwriter still makes the rounds, performing acoustic music sets for small groups of listeners who win access to the events.
“Radio promo for me is, hanging out with some of my best friends in the world, you know, traveling around the country, playing music for people,” he explained. “It’s what I do for a living, so to me yeah, it’s a really good time.”
Thomas latest project is his second studio LP, Cradlesong, along with a four-song EP, Someday. This summer he’ll embark on a “Storytellers”-type tour, playing venues ranging from 400 to 3,000 seats and performing acoustically while chatting about the songs and his career in between riffs. Then this fall, he’ll begin to work full-time with the rest of Matchbox on the band’s fifth studio album.
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